The RIAA are Pissing Into The Wind

This passed week has been an absolute milestone for the music business in a bad way, well actually it’s a milestone for music and musicians in a positive way, once fully embraced. I would also argue that progressive record companies, with appropriate visionaries at the top could do very well also.

A report written by Michael Arrington published on TechCrunch called The Inevitable March of Recorded Music Towards Free basically paints a very gloomy picture for the Record Industry Association of America (RIAA) and indeed many music Industry bodies.

In the article, using the laws of economics, the discussion is how the value of music (in the sense of a physical entity) will drop to a value of zero.

Nada, zero, free…

That is music will cost you nothing…in the sense of getting a version of it.

In the same week we saw RadioHead offering their newly created album for free, well actually that’s not technically correct, they have offered the album to be purchased on YOUR grounds, YOU are able to decide what you wish to donate/pay for an mp3 copy of the album. Incidentally I grabbed a copy myself and paid 5 quid.

Probably the first time in a long time I have personally bought a digital clone of music, and aside from buying it to make a point, it is actually a cracking album, which I’m listening to as I write this.

Digital Clone?

Yes digital clone is exactly what you are buying, possibly stealing, obtaining from a peer to peer (p2p) network, sent from friends, gleaned at a LAN party. However, you are not technically stealing anything nor copying, you are actually cloning information, which is the point in this argument, the clone reproduction costs nothing, hence the drop in the value of music distribution.

Distribution version

The other thing to mention here, and something which some people miss, is that they are giving away the mp3 version of the album. Now I don’t know about you, but I think mp3 sound sucks major ass. Ok so I have audio engineer ears and I work with mp3s every day and continually publish mp3s, but let’s remember the full story here.

The average mp3 has a significant reduction in quality when you compare that to what comes out of the recording studio and onto a 16bit CD. And beyond comparison when discussing DVD audio and other higher sampling and bit rate formats. Yes, mp3 are handy for distributing around the net, and putting on your izunepodriver but they ain’t the “Full Monty”.

Why am I mentioning this?

Well of course Tom York of RadioHead knows full well that he can release his limited edition box-set in a month or two just before xmas, which will contain the “Full Monty”, along with tidy artwork and other bits and piece of merchandise at a whopping 20 quid! – very nice work if you can get it.

Many people still hold dearly the notion of owning something tangible, and of high quality, and people will continue to pay for that. Some people love the tangibility of a signed CD, a limited t-shirt. I have no doubts RadioHead will shift buckets loads of the special box-set, especially during the xmas lead-in, smart marketing indeed.

Of course the other thing that nobody is mentioning is that RadioHead gain LOTS of money for their mp3s which to be honest anyone will be able to get within hours on a p2p network anyway!

RIAA Bastards

Now in the same week, I have been really upset and shocked at the paranoid behaviour of the RIAA who have come down incredibly hard on the single mother caught file-sharing with her mates. Now I know full well that YOU (if I consider a cross section of my readers here and do a rough hands-in-the-air count for an average) have done the same. In fact in this very week I carried out three separate polls each with about 30 students in a room, and guess what? .. around 98% have downloaded music in what possibly could be construed as illegally.

It’s not surprising then that certain formats of music distribution are destined to become free. And it is with this knowledge that the RIAA are fully aware of and carried out a shocking public shaming campaign on one poor woman.

Truth is, the “war is over” as Todd Wachtel mentions. There is no battle anymore, the industry so called “experts” are frankly “pissing into the wind” and getting seriously wet, and the longer they fight against the tide the more mistrust they invoke in us mere mortals, they are not building bridges here in order to embrace the new mechanisms and emerging model.

Days after the RadioHead news Oasis and Nine Inch Nails have also stated their intention to give away their newest work thus fueling the fire to the inevitable. Personally I can see these acts doing well out of enticing more listeners to buy tickets to large concerts, thus in essence not loosing money but gaining a wider audience.

The music as an mp3 is the new banner ad, the new vehicle for viral marketing…..

Embrace and gain

I’ve heard many voices with tones of fear, mainly from musicians about lost revenue, mostly from so called “struggling” artists, but, really? I mean really?

As an artist surely the point is about getting as many people as possible to listen to your music, surely that is exactly what it is about isn’t it? It is about building a fan base and buzz, so isn’t giving your music away for free and encouraging copying/cloning and distribution, actually a good thing?

What are you concerned with then, making money?

As an artist there are countless way to re-coup money, so many I’ll save them for a future blog post, but all that is required is a slightly different mind-set on how you build your audience and what you offer in terms of merchandise.

As my friend Rich Palmer says “Why chain yourself to the old model when there are successful new systems coming into place?”.

Nobody is actually saying they do not value music, they do, I do, I’m a musician! But the voices are saying, share it with us and we’ll tell all our friends and probably come and see you live and probably buy a t-shirt maybe even a box-set with some shwag in to hang on the wall..

And of course I’ve not even mentioned mainstream play-out and royalties, which do not seem to be going away, I can’t see that happening in the short term either. Of course this is exactly why the PRS want a piece of the pie regarding netcasts and internet radio, they see it coming.

Are you pissing into the wind, what do you feel about all this?

A big thanks to the Music Technology Facebook soliders who inspired some of my words here, thanks.

UPDATE: This link just came in: Madonna ditches traditional record label

UPDATE: Month Old, thanks to Ben for sending: What's the future of the music industry


Comments

My concerns, as a higher

My concerns, as a higher education administrator in instructional technology, are more with the phenomenon of pressuring higher ed to be responsible for the whole downloading issue. I think we are seen as an easy target, but I don't think that beyond educating our students about legalities, that we should also be the police. I do understand that it happens on our systems, and we do what we can to control bad behavior, but we also respect academic freedom. Clearly, the RIAA knows we are in a bind and are weak.

But as you mention, they will also seek out the weakest individuals to make a point.

Google Content

Of course what should happen is that the edu community should get together and give the bird to the RIAA, it is NOT the responsiblity of academic institutions to police, in no way shape or form.

I don't see many institutions playing God and censoring google content.

Thanks for your comment and I totally understand your difficult sentiments about it, thans for sharing it. It's a great comment and brings a great angle to the party.

interestingly, sales of

interestingly, sales of vinyl have gone up around 300% in the last 2 years (read it somewhere, sorry no link but its something like that)
Possibly for the same reason ebooks have not really set the heather on fire.
Sometime a tangible physical thing means a bit more than it's digital equivalent.
Buying music you are passionate about is more than just buying music. It has a deeper meaning.
Check my Jam/Style Coucil/Paul Weller collection for a start. Ive got just about everything in every format from every territory and tons of bootlegs as well. and most of its on my ipod.
its the long tail of formats
Perhaps the mp3 is, like you say, a marketing device, or dare I say it - a social object.
Ive got no problem with illegally downloading music that I have only a minor interest in.
If it tickles me i'll end up buying something in the future.
Plus old stuff like the Beatles, Doors or whatever. Ive already paid for stuff twice (vinyl then cd)
so they owe me ;)

vinyl party

Like that, Eaon and well said..

I can imagine a vinyl party with all that lot being a hoot!

Hmm

I just don't know what to make of all this. I must admit, I'm not TECHIE when it comes to the industry...and I'm well aware that I need to keep more up to date. The Main Reason? I play because it's the only way (other than painting, art etc) that I know how to express my emotions. I know how to play guitar (and i'm not genius at it) my strength has always been in the power of my emotions...lyrics vocals...but Not Guitar..so therefore I never considered myself "Rock Star" status by any means...I think i would need a band and all that jazz to back me up. However..when it comes to the RIAA etc...I'm dumbfounded that they would make such a big issue about indie artists such as myself and many other SL Musicians (original works is what i mean) who struggle their FKN Asses off to make their music heard to those that listen thru My Space, iTunes, CD Baby, Second Life etc....and get kicked in the freakin balls (or ovaries or whatever it is for us female indie artists haaa)....It HURTS TOO!
What is the next step?
My mantra for the time is..."just keep doing what your passion is..and struggle and think and find new ways to market"...unfortunately not everyone is on Our Side of things...many wanna take the 'free ride, get the free music, or actually (and i know this doesn't apply to everyone ) want us to do our Skill, our Talent, for free...which is a shame...How do we Make our living?...some say "GET A JOB!"...but this IS my job, this IS my career.....now i struggle....and hope, and wait and market and network and make connections..and try to understand what is going on in the world around me, when the language most use is a lil 'greek to me'.....
So...i really don't know what to make of it...except that it makes no sense that the 'BIG INDUSTRY' seems to have their Thumb PRessed down on our Strings making it almost impossible to move forward, except for the small circle we try to expand.
If this makes no sense...well imagine what I think!
Indie Artist
Suzen JueL

It looks to me like a

It looks to me like a revolution people, majors are now desperately looking to find themself a new position in the market but if artists will decide that it better going without a major but simply with some financier... oh my... anyway, what RIAA was shocking and completely useless. Let\'s stay tuned to see how the music industry will come out of this and more importantly, if this is a real revolution, it is time to invent!Ed

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